Tweets

Rogie with a mini-tutorial on making Mario Kart-inspired resizable buttons with fun shapes.

Lee Munroe shares some ideas on using file templates to organize pages for projects in Figma.

I dig this tip from Zander — sometimes we already have the right tools without plugins.

Christine Vallaure with timeless advice of using percentages instead of pixels for specifying line height in Figma. There are very few cases when pixels make sense, and more often than not they cause inconvenience.

Whoa, I didn’t know that selections can be moved! Great for getting to the tricky areas.

Designer Advocate Ana Boyer shares some common questions, answers, and resources that she came across when learning about design systems, tokens, and variables. 

Designer Advocate Anthony DiSpezio recommends the best approach for defining variables for theming: primitive variable → semantic variable → semantic style. The core advice is to keep using styles: ​“Styles represent a group of properties that should be applied to a layer or part of a layer. Variables represent individual values within that style.”

(Years ago, I noticed that when Apple announces a change at WWDC it’s better to go with it even if it doesn’t make sense at the moment — they see the roadmap much further. I wonder if it’s the same case with Figma and styles. At the moment they often feel redundant, but Figma made it very clear that they’re not going anywhere — hopefully something will make it clear soon why it was worth keeping them around.)

Figma collaborated with Adobe on a video exploring some of the ideas for the post-acquisition future — Firefly in FigJam and Figma, linked assets between Figma and Creative Suit, multiplayer in Adobe apps, Figma prototypes + After Effects, shared design systems, and more. For more ideas, see threads from Noah Levin, Tom Lowry, Sho Kuwamoto, and Luis.

I’m a generalist and occasionally do different kinds of design work, so having a tighter integration between Figma and Adobe apps would be pretty neat. Adobe Fonts would be my #1, but I wish I could reuse a color palette and assets from Figma while working on my book layout in InDesign. While designing a photo-heavy website, I went back and forth between Figma and Lightroom experimenting with post-processing. The new Photoshop on the web also makes so much sense as a native integration. Count me in as a Figma × Adobe optimist.

Updated corner radius UI makes it easier to bind a variable to each individual corner.

A quick how-to video from Zander on creating a glowing animation inspired by the Disney logo. (And one more with a hover scale effect.)

Step 2: Learn from Vijay Verma how to create a cute animation using variables and conditions.

Ridd points out two common problems with UI kits (manual updates of shared attributes and maintaining multiple breakpoint variants) and shares a variable system to make your life way easier.

Great thread explaining the ​“weirdness” of OkLCH by one of the authors of the new Harmony color palette. Here is something I never thought about: ​“In electronic displays, yellow, cyan, and magenta are products of shining two lamps – subpixels. The more light is emitted, the brighter we perceive the color. It means the max lightness of the yellow is much higher than the blue’s.”

Karri Saarinen shares how their team is building one of the best-designed products out there: ​“The main point is that the design is only a reference, never any kind of deliverable itself, so the way it’s constructed doesn’t really matter.“ Don’t miss a follow-up on this approach and tech debt, as well as an older thread on their simple design system. Last but not least, his recent interview with Lenny Rachitsky on how Linear builds product was just fantastic (a good chunk is behind a paywall, but a podcast version is free.)

Great update to the OkColor plugin letting you specify both absolute and relative chroma in colors.

Ridd shares a few repeatable steps to start prototyping with variables — creating the variable you need, assigning the variable to the UI, testing the connection, and setting up your triggers.

I rely on Luis for thought-provoking organization and design systems insights. In this thread, he discusses a way to translate brand colors into primitive and semantic color scales. At work, I use two design systems — one made by a smaller team where the same designers control the brand, design system, and product, and another from a larger organization with these are separate functions. I can see how his approach of explicitly using brand colors in primitives can work well in larger orgs.

Molly Hellmuth shares a few tips from her recent talk ​“Design System Traps & Pitfalls” at Smashing Conference. Here are the five ways to de-risk variable adoption for your design system — create a map for your token structure, start using variables with numbers only, use variables and color styles together, stress-test new features, and roll out changes gradually.

Something must be (hovering) in the air, as Ridd also shared his thoughts on selecting a color for the hover state with the right amount of saturation.

An interesting idea on using a composite style with an alpha channel for a hover state instead of creating variables for every variant. Won’t work in every case, but it was interesting to learn that the same overlay approach is used in Material 2.