Marek Minor, founder of Amsterdam studio Minor Adventures, spent about a year drawing Cursor’s 600+ icons in two sizes and two styles, every exploration by hand. The rule I keep thinking about: ​“Cursor’s pointer runs from bottom left to top right, and so does every icon that could go either way.” Slashes run the opposite way, because a slash cancels a direction and should cut against it.

“Gotta be honest, the hardest part of this whole project was the symbol. (Let’s be real, when is it not?)” Mike Smith on why Calendly’s new mark ended up back at ​“a cool C”. The company doubled down on its name equity, and anything figurative sitting next to the word Calendly just makes you ask why it isn’t a calendar. Dozens of explorations to arrive at the clear answer, then one asymmetrical ripple to make it theirs.

How Grok Bot was designed for agents that persist beyond a single session — from a chat history to a Bot roster, presence, a computer of the Bot’s own, and work that starts without a prompt.

“The more prominent we made the computer, the more the product encouraged users to supervise it.” The team tried four ways to show bot’s computer: floating window, side by side, modal, and full screen. Each one pulled the user into operating the machine. The shipped design has three levels instead – a purple title-bar icon while the computer is active, a pinned preview panel, and a full-screen takeover only when the Bot asks for help.

Backyard Baseball, remade as an industry draft board. Ridd and Tommy Geoco put the design Twitter on a bleacher as cartoon kids, each with a scouting report, a portfolio link, and a little prop at their feet. You fill seven slots (a design leader, two product designers, a web designer, a design engineer, a brand designer, and a wildcard) under a limited budget, based on the follower count. The amount of fun little details is absolutely mind-blowing, and you’ll catch them only by exploring the community and drafting the dream team. Now, please excuse me as I go send some paper planes.

Same premise as Backyard Designers above, except Gabriel Valdivia built the whole game. Craftdeck is a playable CCG with mana, taunts, campaign bosses, and hundreds of designers pulled from real X profiles. Look for me as the Open Palette with a Version Control ability — this checks out.

Drew Wilson, founder of Opacity and the person behind ValioCon, is teasing another game that renders designers as horses, each with a custom neigh sound. I don’t want to spoil the end result, but please go check it out.

Anthony Hobday on why most design career advice comes from people who don’t hire designers and reflects a single lucky path. The practical core: a five-minute curriculum, ways to look impressive without impressive jobs, and the signs an org genuinely values interface design. His argument that one strong credential can cover for a weak portfolio pairs neatly with ​“Components Are Dead” below — both circling what actually holds value as the job changes.

Luis Ouriach makes the provocative case that when LLMs make code cheap to write, edit, and migrate, the contribution model and the component-as-source-of-truth lose their reason to exist. His point is that consistency was always carried by tokens, not components, so a well-defined token set could govern ten different LLM-generated inputs at once. He stops short of full obituary, asking whether components live on as the unit of constraint.

Rauno Freiberg, a design engineer widely respected for his UI craft, keeps a running collection of short notes on the small decisions that make interfaces feel right. One entry works through why an animation delay meant to highlight a scrolled-to message backfired and felt more awkward; another walks through the redesign of cards. It’s the kind of thinking-out-loud that can teach more than any tutorial.