Articles

“Connected Projects makes it easy for freelancers and agencies on different Figma plans to collaborate seamlessly with clients. Work together to co-edit designs, and share resources like libraries — all while staying on your own Figma seat.”

Three primary updates: hide and show variable fills, duplicate and copy styles, and the go-to-main component shortcut (Control+Option+Command+K). See the complete list of quality-of-life updates in the release notes. 

Claire Butler: ​“A love letter to scaling from 10 to 1400 people and 0 to millions of users over a decade as Figma’s first marketing and business hire.” One of my favorite insights: ​“As a product marketer I’d been trained to lead with ​“benefits over features,” but with designers that didn’t work. They cared about what the tool could actually do. They’d believe the benefits once they experienced them.”

Nick Babich explores his process of turning design into code using Lovable and Anima and shares the pros and cons of each tool.

Advocates Jake Albaugh and Chad Bergman wrote a tactical guide to collaborating with your developer counterparts, including common pitfalls, practical tips, and guidance on when to lean in.

An interesting take from The Culturist on why color is vanishing from our world: ​“The underlying theory in all of these cases is that while color is sensory, unstable, and chaotic, form is rational, stable, and pure. Once you see this bias, you begin to notice how deeply it has shaped the modern world — and how it helps explain our current retreat into colorlessness.”

Great post by an industry veteran Mike Davidson, offering a few suggestions to those feeling behind the AI wave already: ​“When it comes down to it, your future in design is the sum of all of your actions that got you here in the first place. The skills you’ve built, the artifacts demonstrated in your portfolio, your helpfulness as a teammate, your reputation as a person, and now more than ever, your curiosity to shed your skin and jump into an undiscovered ocean teeming with new life, hazards, and opportunity. Someone will invent the next CSS, the next Responsive Design, the next sIFR, the next TypeKit, the next IE6 clearfix, and the next Masonry for the AI era. That someone might as well be you.”

Freshly baked goodies: FigPals for April Fun Week (extended until April 11); a button for collapsing layers — love that it excludes the layer tree of your selection; quality-of-life improvements to corner radius inputs and flyouts for effects, fills, and layout grids; reordering variables modes and collections; annotations in Design Mode; accessibility contrast in color picker; and finally, an eyedropper added to Dev Mode.

Always happy to support an argument for adopting OKLCH and Display P3: ​“Many design systems use hex values to represent colours. As far as I’m aware, there’s currently no way to provide a colour space with a hex value in CSS. That’s okay though — the color() function includes a parameter for the colour space. color(display-p3 1 0 0) is bright red in Display P3. In fact, color(1 0 0) is not allowed. A colour space must be provided. Are you noticing a trend? Colour spaces will be required in the future.” 

Tia Sydorenko argues that our interactions with digital systems ​“are not just changing; they are shifting in their very essence.” She builds her argument on this insight from Jakob Nielsen: ​“With the new AI systems, the user no longer tells the computer what to do. Rather, the user tells the computer what outcome they want.”

“Unlike straightforward direct manipulation — such as dragging a file between folders, where actions unfold step by step — AI interactions demand a more fluid, iterative process. Users articulate their goals, but instead of executing every step manually, they collaborate with the system, refining inputs and guiding the AI as it interprets, adjusts, and responds dynamically.”

“Designers crafting elaborate prototypes in Figma to mimic basic digital interactions are essentially building digital Rube Goldberg machines. If you’re going to spend hours creating intricate simulations in Figma, you might as well put that effort directly into code — because in the end, code is where your designs must ultimately function.”

I might be biased, but I don’t see many designers that ​“tweak their Figma files endlessly, push back on any technical constraints, and then smugly hand over their ​“perfect” design — only to be baffled when development comes back with a hundred questions about feasibility”. What I do see is designers learning to program, adopting AI tools like Cursor, and getting heavily involved in building and shipping their vision — and I’m here for that.

Data from the State of the Designer 2025 survey tells us that product builders are mostly happy at work with 41% of designers and developers more satisfied than they were last year. So what impacts their happiness, and how can we drive an upward trend? Here, Figma dives into 5 crucial contributors to happiness: design’s place in the organization, company policies on hybrid work, how leaders empower their teams, effective collaboration and communication, and tools for self-empowerment.

Linear’s CEO shares his approach to quality at a time when ​“move fast and break things” no longer cuts it. My favorites: ​“Commit to quality at the leadership level”, ​“Do away with handoff”, ​“For quality, you need a team that views the spec as the baseline, not the finish line”, and ​“The simplest way to increase quality is to reduce scope”.

Figma Slides is now out of beta and available to everyone with six major new updates: import and export .pptx files, object animations, slide numbers, components, and video improvements. Learn about new features from Noah Finer’s video or read how other teams adopted Slides to tap into a design system, use branded assets, improve collaboration, and get audience feedback.

“With our FedRAMP Moderate status officially approved, the public sector can use Figma to brainstorm, design, and build better digital experiences for U.S. citizens.”

“On April 30, we’ll be fully transitioning to UI3, our redesigned interface that puts your work center stage. Here’s what you need to know about the change, along with tips for a smooth transition.”

“Figma is localizing for the Spanish market. This includes full product translation, culturally adapted user interfaces, and dedicated support for Spanish language users. Figma plans to expand product localization to additional languages throughout the year, as it continues to invest in its global community.” (Coincidently, I was in Spain when this was announced. Rest assured I didn’t touch Figma while vacationing with my family.)

Monotype published a new kind of trends report for 2025: ​“Ancient oracles peered into the future. From a specific point in time, they forecast what could come. That’s what we want this report to be: a typographic oracle. We want to mark this moment in time, to celebrate design and typography’s progress, and to challenge all of us to envision what lies ahead by looking at the larger cultural forces shaping our time and work.”

I love mid-century modern architecture and furniture, and Herman Miller is one of the most iconic brands. Order created an identity system establishing a new but familiar foundation for their visual language, capturing and building on its rich history and influence. Incredible case study covering brand history and modern brand application. Don’t miss the identity guidelines website as well.

“Collaboration tools like Figma promise streamlined workflows and collective creativity, but there’s a darker side: too many opinions, endless edits, and a loss of individual vision. In this piece, we explore whether Figma’s collaborative power might actually hinder great design by inviting too many cooks into the kitchen.”