A reminder that Figma’s free virtual conference for the design systems community is happening this week on Tuesday, October 28, from 9:00 am to 2:00 pm PDT. Besides the keynote, I’m especially interested in talks ​“Spectacular slots” by Nathan Curtis and ​“Crafting design context for agentic coding workflows” by Jake Albaugh.

Sara Clayton from Dropbox shares some of her recent lessons and observations about experimenting with AI: ​“the design-to-engineering bridge is improving but not yet seamless, weak systems and shortcuts will be surfaced rather than hidden, true progress depends on internal champions who can push the boundaries, and – above all – critical thinking remains the foundation of good design.”

I shared some of my thoughts on Liquid Glass in issue #229, so it was refreshing to see how Linear approached the new design language. Couldn’t agree with this more: ​“The one effect we chose not to reproduce was Liquid Glass’s refraction. Technically, it requires access to pixel-level data that isn’t available to third-party developers. Aesthetically, it also wasn’t the right choice because refraction can make dense professional interfaces harder to read. By relying on precise blurs, masking, and lighting, we maintained a sense of depth without losing clarity.”

Schema — Figma’s conference for the design systems community — is back for the virtual livestream on Tuesday, October 28. Topics include the future of design systems, best practices for design and development with AI, and product updates to design systems in Figma.

Dylan Field comes to Lenny Rachitsky’s podcast to talk about keeping internal morale up after the Adobe acquisition fell through, his approach to maintaining pace and a sense of urgency 13 years in, how to systematically develop taste, how Figma decides which product lines to add, why he obsesses over ​“time to value”, and how AI is making design more valuable. Don’t miss Lenny’s biggest takeaways from this conversation.

Erik D. Kennedy attempts to answer two questions: Will AI take design jobs? If so, which ones? And in light of that, what should designers focus on? Love this advice: ​“I’d recommend steering your own designs away from the hallmarks of UI-by-AI: Inter, cards displayed in parallel, everything being 8px rounded, etc. The time to know your brand, know your audience, know the problem you’re solving, and lean way in starts now.”

The next year’s Config will be in San Francisco, CA, on June 23–25. The call for speakers is open until November 7, 2025.

Raluca Budiu from Nielsen Norman Group with a sobering critique of Apple’s new visual language: ​“iOS 26 brings Liquid Glass controls laid over noisy backgrounds, jittery animated buttons, shrunken and crowded tab bars, collapsing navigation, and ubiquitous search bars. On top of that, it breaks long‑established iOS conventions, getting closer to Android design. Overall, Apple is prioritizing spectacle over usability.”

On transparency: ​“One of the oldest findings in usability is that anything placed on top of something else becomes harder to see. Yet here we are, in 2025, with Apple proudly obscuring text, icons, and controls by making them transparent and placing them on top of busy backgrounds.”

On animations: ​“Our eyes are finely tuned to detect motion, which is why animated buttons grab attention instantly. But delight turns into distraction on the tenth, twentieth, or hundredth time. […] It’s like the interface is shouting ​“look at me” when it should quietly step aside and let the real star — the content — take the spotlight. […] Motion for motion’s sake is not usability. It’s distraction with a side of nausea.”

I was looking forward to this update since WWDC, but it left me increasingly annoyed and disappointed. From hidden actions in Safari to blurred content with jittery transitions in Mail, everyday experiences require more attention and extra steps on my part without giving anything in return. Liquid Glass feels like an ultimate departure from Steve Jobs’ ​“design is not just what it looks like and feels like, design is how it works” motto.

Luke Wroblewski observes how AI coding agents flipped the traditional software development process on its head. Design teams used to stay ​“ahead” of engineering, but now engineers move from concept to working code 10x faster.

“So scary time to be a designer? No. Awesome time to be a designer. Instead of waiting for months, you can start playing with working features and ideas within hours. This allows everyone, whether designer or engineer, an opportunity to learn what works and what doesn’t. At its core rapid iteration improves software and the build, use/​test, learn, repeat loop just flipped, it didn’t go away.”